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Вот так выглядят почти все фильмы Миядзаки – большинство из них сделаны вручную, с минимальным использованием компьютераThe Japanese director Hayao Miyazaki, the author of the Ghost Multifilms and My Neighbour Totoro, is returning to the cinematography after the career statements. New work is scheduled for 2019.

Miyazaki plans to complete the full-fledged " Blue " by 2019 just before the Tokyo Summer Olympic 2020. The pre-produced paintings have already started and will continue until the middle of next year.

Miyazaki himself describes his new work as " a story of tiny, furious geese, so small that it can be easily crushed between two fingers " .

Примерно так может выглядеть следующая работа Миядзаки «Гусеница Боро», которая будет сделана с компьютерной графикойIt's not yet clear who Miyazaki is going to make a multilm. The " Gibly " studio was closed shortly after the resignation of the director and the head of the studio, and the producers would have to collect a new team or recruit old workers.

Gusenica Boro will be the first picture of Miyazaki, fully computerized. The Japanese director is known to be loyal to classic animation and perfectionism, but with his new job, he decided to use computers.

But it's not the first time Miyazaki and his studio resort to CGI. From 1997 to 2008, the Gibly Studi introduced some computer graphics into manual animation. After the Ponyo Ribca on the Oil, Miyazaki stopped practising this approach.

Наброски изHayo Miyazaki is a Japanese multiplier, author of animated ghosts, Hot Castle and My Neighbour Totoro, Oskara laureate for the best animation film and the owner of the Golden Lion of the Berlin Festival.

In September 2013, he announced that he had completed his career. Miyazaki resigned after the release of the World War II air engineering film, the wind fastening.

Since then, the director has halted the creation of full-fledged paintings and has been working on the short-letter Gusenica Boro. The film was designed to be displayed at the Gibly Museum, which deals with the career of Miyazaki and a single studio. The original director was planning to remove a 10-minute short film that was to be shown to the public next year.